The following table lists Two-step music and artists for some of my favorite Two-steps. The table is arranged by Beats Per Minute (BPM), from the slowest to the fastest. Some of the slowest beats are for pure beginners. The fun doesn't start until you get into the 160-185 BPM range. Anything above 185 beats is for the more accomplished dancer. If your music is too slow, it's hard to get the momentum you need for those snappy turns. The size of the dance floor, and how crowded it is, may determine how fast the music should be. Few people can dance a decent Two-step above 200 BPM.
The United Country Western Dance Counsel (UCWDC) rules list the Two-step at 182-198 BPM for competition music, while the Country Western Dance International (CWDI) rules lists the Two-step at 160-192 BPM for competition music.
| BPM | Song Title | Song Artist |
|---|---|---|
| 130 | WE'RE SUPPOSED TO DO THAT NOW AND THEN | GEORGE STRAIT |
| 131 | MY FUTURE EX-WIFE | DIXIE CADILLACS |
| 132 | HAT TRICK | TRACY BYRD |
| 134 | LIFE'S A DANCE | JOHN MICHAEL MONTGOMERY |
| 137 | THE SOUND OF YOUR GOODBYE | AARON TIPPIN |
| 138 | TIE ONE ON | RONNIE MCDOWELL |
| 138 | YOU AIN'T MUCH FUN | TOBY KEITH |
| 139 | HIGH-TECH REDNECK | GEORGE JONES |
| 142 | HONKY TONK MAN | DWIGHT YOAKAM |
| 143 | ANYTHING FOR LOVE | JAMES HOUSE |
| 143 | THERE'S A TEAR IN MY BEER | HANK WILLIAMS JR. |
| 144 | BACK TO BACK | CLINT BLACK/WYONNA |
| 145 | LEROY THE REDNECK REINDEER | JOE DIFFIE |
| 145 | OUT WITH A BANG | DAVID LEE MURPHY |
| 146 | BETWEEN THE COUNTRY AND THE BLUES | JESSEE HUNTER |
| 146 | TIME'S UP | SOUTHERN PACIFIC/CARLENE CARTER |
| 147 | ADALIDA | GEORGE STRAIT |
| 148 | SAY I | ALABAMA |
| 149 | DOCTOR TIME | RICK TREVINO |
| 149 | I LEFT SOMETHING TURNED 9ON AT HOME | TRACE ADKINS |
| 150 | ANGER & TEARS | MEL MCDANIEL |
| 150 | CRIME OF PASSION | RICKY VAN SHELTON |
| 150 | HELLO HEART | GEORGE JONES |
| 150 | I CAME STRAIGHT TO YOU | JON RANDALL |
| 150 | MIRROR MIRROR | DIAMOND RIO |
| 150 | THIS IS ME MISSING YOU | JAMES HOUSE |
| 153 | JACOB'S LADDER | MARK WILLS |
| 153 | THE FIRST STEP | TRACY BYRD |
| 154 | DON'T LOVE MAKE A DIAMOND SHINE | TRACY BYRD |
| 154 | I WON'T TAKE LESS THAN YOUR LOVE | TANYA TUCKER |
| 154 | I'M ON YOUR SIDE | KATHY MATTEA |
| 154 | I'VE COME TO EXPECT IT FROM YOU | GEORGE STRAIT |
| 154 | IF I COULD MAKE A LIVING | CLAY WALKER |
| 154 | SMALL TOWN SATURDAY NIGHT | HAL KETCHUM |
| 155 | ANY MAN OF MINE | SHANIA TWAIN |
| 156 | SHE FOUND THE PLACE | HAL KETCHUM |
| 156 | THE LONE RANGER | GEORGE JONES |
| 157 | THE ONE I LIVED BACK THEN (THE CORVETTE SONG) | GEORGE JONES |
| 158 | A GOOD RUN OF BAD LUCK | CLINT BLACK |
| 158 | HE'S A GOOD OLE BOY | CHELY WRIGHT |
| 158 | SWIMMING UPSTREAM | RICKY VAN SHELTON |
| 159 | CHEATING ON THE BLUES | BROOKS & DUNN |
| 160 | HIGH TEST LOVE | SCOOTER LEE |
| 160 | ONLY ON DAYS THAT END IN "Y" | CLAY WALKER |
| 161 | ASHES OF LOVE | DESERT ROSE BAND |
| 161 | GET A LITTLE CLOSER | RICKY LYNN GREGG |
| 161 | IF THE WORLD HAD A FRONT PORCH | TRACY LAWRENCE |
| 162 | BLUE BLOODED WOMAN | ALAN JACKSON |
| 162 | IF YOU'RE GONNA WALK, I'M GONNA CRAWL | SAMMY KERSHAW |
| 163 | GIVE IT TO ME STRAIT | TIM MCGRAW |
| 163 | HEARTBREAK EXPRESS | ALABAMA |
| 163 | WE GOT A LOT IN COMMON | ARCHER PARK |
| 164 | BETTIN' FOREVER ON YOU | TONY TOLIVER |
| 164 | CHEROKEE BOOGIE | BR5-49 |
| 164 | FOOLPROOF | B. B. WATSON |
| 164 | GONNA GET A LIFE | MARK CHESNUTT |
| 164 | I DIDN'T KNOW MY OWN STRENGTH | LORRIE MORGAN |
| 164 | OLD ENOUGH TO KNOW BETTER | WADE HAYES |
| 164 | THE BEST MISTAKES I EVER MADE | RICK VINCENT |
| 165 | HONEY I DARE YOU | SOUTHERN PACIFIC |
| 165 | HONKY TONKIN'S WHAT I DO BEST | MARTY STUARR/TRAVIS TRITT |
| 165 | SANTA LOOKED A LOT LIKE DADDY | GARTH BROOKS |
| 166 | COTTONWOOD CREEK | RICK VINCENT |
| 166 | LIVING IN A HOUSE FULL OF LOVE | GARY ALLAN |
| 167 | I DON'T CARE | RICKY VAN SHELTON |
| 167 | LITTLE OLE SWINGIN' THING | RONNIE MCDOWELL |
| 167 | OH ME, OH MY SWEET BABY | GEORGE STRAIT |
| 167 | SITTIN' ON GO | BRYAN WHITE |
| 168 | I GOT YOU | DWIGHT YOAKAM |
| 168 | WHERE'S HANK WILLIAMS (WHEN YOU NEED HIM) | SCOOTER LEE |
| 168 | WRONG | WAYLON JENNINGS |
| 169 | ONE WAY TRACK (RADIO EDIT) | PRAIRIE OYSTER |
| 169 | PERFECT STRANGER | SOUTHERN PACIFIC |
| 169 | THE TROUBLE WITH LOVE | ROB CROSBY |
| 170 | I GOT DREAMS | STEVE WARINER |
| 170 | OVERNIGHT MALE | GEORGE STRAIT |
| 171 | GUITARS, CADILLACS | DWIGHT YOAKAM |
| 171 | IF THE DEVIL DANCED... | JOE DIFFIE |
| 171 | THE BUG | MARY-CHAPIN CARPENTER |
| 172 | GOIN' THROUGH THE BIG D | MARK CHESNUTT |
| 172 | LOVEBUG | GEORGE STRAIT |
| 172 | THANK VIRGINIA | GIBSON MILLER BAND |
| 172 | WAITIN' FOR THE PHONE TO RING | RHONDA HART |
| 173 | BAYOU GIRL | BOB WOODRUFF |
| 173 | COMPLICATED | RICKY VAN SHELTON |
| 173 | DREAMING WITH MY EYES OPEN | CLAY WALKER |
| 173 | I FEEL FINE TODAY | KEVIN WELCH |
| 173 | NEW WAY (TO LIGHT UP AN OLD FLAME) | JOE DIFFIE |
| 174 | ACE OF HEARTS | ALAN JACKSON |
| 174 | CHATTAHOOCHEE | ALAN JACKSON |
| 174 | DON'T STOP | WADE HAYES |
| 174 | FIND OUT WHAT'S HAPPENIN' | TANYA TUCKER |
| 174 | HOLE IN MY POCKET | RICKY VAN SHELTON |
| 175 | BIG GUITAR | BLACKHAWK |
| 176 | LET'S GO TO VEGAS | FAITH HILL |
| 177 | I HOPE HEAVEN HAS A HONKY TONK | TRACY LAWRENCE |
| 178 | HEARTBROKE EVERY DAY | LONESTAR |
| 179 | ANYWAY THE WIND BLOWS | BROTHER PHELPS |
| 179 | IT WOULDN'T HURT TO HAVE WINGS (REMIX) | MARK CHESNUTT |
| 179 | ROCKIN' THE ROCK | LARRY STEWART |
| 180 | BECAUSE OF COUNTRY MUSIC ( I'VE GONE GRAZY) | THE GEEZINSLAWS |
| 181 | NORMA JEAN RILEY | DIAMOND RIO |
| 181 | SOMEBODY'S CALLIN' | KENNY CHESNEY |
| 181 | WASTIN' TIME WITH YOU | CARLENE CARTER |
| 182 | NO TIME TO KILL | CLINT BLACK |
| 183 | RIDIN' THE RODEO | PERFECT STRANGER |
| 184 | PAST THE POINT OF RESCUE | HAL KETCHUM |
| 184 | SOMEBODY'S CALLIN | KENNY CHESNEY |
| 184 | TEXAS TATTOO | GIBSON MILLER BAND |
| 185 | SHOULD'VE ASKED HER FASTER | TY ENGLAND |
| 186 | SHUT UP HEART | BLAKE & BRIAN |
| 187 | HOLDIN' HEAVEN | TRACY BYRD |
| 188 | RENO BOUND | SOUTHERN PACIFIC |
| 189 | IF MY HEART HAD AN ASS (DANCE MIX) | JAMES T. HORN |
| 189 | WAKE UP YESTERDAY | CLINT BLACK |
| 190 | THAT'S ALL RIGHT | VINCE GILL |
| 192 | DOWN AT THE TWIST AND SHOUT | MARY-CHAPIN CARPENTER |
| 192 | HIGH LONESOME SOUND | VINCE GILL |
| 192 | MY BABY PLAYS ME JUST LIKE A FIDDLE | CHARLIE DANIELS |
| 192 | SHE'S GOING HOME WITH ME (SINGLE VERSION) | TRAVIS TRITT |
| 192 | THE SWING (DANCE MIX) | JAMES BONAMY |
| 193 | ROMPIN' STOMPIN' (HONKY TONKIN' GOOD TIME) | SCOOTER LEE |
| 194 | WE TELL OURSELVES | CLINT BLACK |
| 195 | LOLA'S LOVE | RICKY VAN SHELTON |
| 195 | LOVE ON ARRIVAL | DAN SEALS |
| 196 | DANCE WITH WHO BRUNG YOU | ASLEEP AT THE WHEEL |
| 196 | EVERY COWBOY'S DREAM (SINGLE VERSION) | RHETT AKINS |
| 196 | ROMPIN' STOMPIN' | SCOOTER LEE |
| 196 | THANK'S A LOT | RICKY VAN SHELTON |
| 198 | IT WON'T BE OVER YOU | STEVE WARINER |
| 198 | WHERE THE SIDEWALK ENDS | GEORGE STRAIT |
| 204 | DRINK, SWEAR, STEAL & LIE (ALBUM VER) | MICHAEL PETERSON |
| 204 | RUB-A-DUBBIN | KEN MELLONS |
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