Karla Huebner’s Feminist Art History Bibliography:
The Nineteenth Century

HIS SECTION includes sources on a wide variety of nineteenth-century artists and the conditions under which they studied. It is strongest on American and British artists, but has some pleasant surprises.

Beattie, Susan. The New Sculpture. Yale University Press, New Haven & London, 1983.

Bradford, Ruth A. “The Life and Works of Harriet Hosmer, the American Sculptor,” New England Magazine n.s. 45, no. 2 (October 1911), 265–9.

Cherry, Deborah. Painting Women: Victorian Women Artists. Routledge, London, 1993.

Christensen, Inga. “Early 20th-Century Danish Women Artists in Light of de Beauvoir’s The Second Sex,” Woman’s Art Journal 9, no. 1 (Spring–Summer 1988), 10–15.

[Craik, Dinah Muloch]. “A Paris Atelier,” Good Words (1886), 309–313.

Cutrer, Emily Fourmy. The Art of the Woman: The Life and Work of Elisabet Ney. University of Nebraska Press, Lincoln & London, 1988.

Dannett, Sylvia. Profiles of Negro Womanhood Vol. 1, M.W. Lads, New York, 1964. 118–123.

Fahlman, Betsy. “Women Art Students at Yale, 1869–1913: Never True Sons of the University,” Woman’s Art Journal 12, no. 1 (Spring–Summer 1991), 15–23.

Fehrer, Catherine. “New Light on the Académie Julian and its Founder (Rodolphe Julian),” Gazette des Beaux-Arts 103 (May–June 1984), 207–216.

Garb, Tamar. Sisters of the Brush: Women’s Artistic Culture in Late Nineteenth-Century Paris. Yale University Press, New Haven and London, 1994.

Gordon, Linda, and Ellen DuBois. “Seeking Ecstasy on the Battlefield: Danger and Pleasure in Nineteenth-Century Feminist Sexual Thought,” Feminist Studies 9, no. 1 (Spring 1983) 7–25.

Greene, Alice. “The Girl-Student in Paris,” Magazine of Art 6 (1883), 286–7.

Hagen, Luise. “Lady Artists in Germany,” International Studio 4, 1889, 91–99.

Havice, Christine. “In a Class by Herself: 19th Century Images of the Woman Artist as Student,” Woman’s Art Journal 2, no. 1 (Spring–Summer 1981), 35–40.

Holland, Clive. “Lady Art Students in Paris,” International Studio 21 (1904), 225–33.

Huber, Christine Jones. The Pennsylvania Academy and Its Women 1850 to 1920. Pennsylvania Academy of the Fine Arts, Philadelphia, 1973.

Ingelman, Ingrid. Kvinnliga konstnärer i Sverige: en undersökning av elever vid Konstakademin, inskrivna 1864–1924, deras rekrytering, utbildning och verksamnet (Women Artists in Sweden). Acta University of Uppsala, Ars Suetica 6, Uppsala, 1982.

Klüver, Billy, and Julie Martin. Kiki’s Paris: Artists and Lovers 1900–1930. Harry N. Abrams, Inc., New York, 1989.

Landgren, Marchal E. Years of Art: The Story of the Art Students League of New York. Robert M. McBride & Company, New York, 1940.

Leach, Joseph. “Harriet Hosmer: Feminist in Bronze and Marble,” Feminist Art Journal 5, no. 2 (Summer 1976), 9–13, 44.

Lemp, Joan A. “Vinnie Ream and Abraham Lincoln,” Woman’s Art Journal 6, no. 2 (Fall 1985–Winter 1986), 24–29.

Nunn, Pamela Gerrish. Victorian Women Artists. The Women’s Press Ltd., London, 1987.

Payne, Elizabeth Rogers. “Anne Whitney: Art and Social Justice,” Massachusetts Review 7, no. 2 (Spring 1971), 245–260.

Peet, Phyllis. “The Art Education of Emily Sartain,” Woman’s Art Journal 11, no. 1 (Spring–Summer 1990), 9–15.

Pointon, Marcia. Naked Authority: The Body in Western Painting 1830–1908. Cambridge University Press, Cambridge, 1990.

The Queen: The Lady’s Newspaper & Court Chronicle 85, no. 2210 (May 4, 1889), 614.

Rhodes, Albert. “Views Abroad,” The Galaxy 16, no. 1 (July 1873), 1–15.

Richardson, Marilyn. “Vita: Edmonia Lewis,” Harvard Magazine 88, no. 4 (March–April 1986), 40.

Sandqvist, Gertrud. “Charlotte Mannheimer (1866–1934)—att skapa och stödja konst,” Konsthistorisk Tidskrift 57, no. 3–4 (1988), 46–8.

Sherwood, Dolly. Harriet Hosmer, American Sculptor 1830–1908. University of Missouri Press, Columbia, 1991.

Slade, R. Jope. “The Royal Academy of Arts, 1895,” Art Journal (1895), 177.

Somerville, E. Œ. “An Atelier des Dames,” Magazine of Art 9 (1886), 152–7.

Tufts, Eleanor. “1875: Should a Woman be Allowed to Sculpt a Man?” Art Journal 51, no. 1 (Spring 1992), 51–6.

Van Rensselaer, Susan. “Harriet Hosmer,” Antiques 84, no. 4 (October 1963), 424–8.

Vassar College Art Gallery. The White, Marmorean Flock: Nineteenth Century American Women Neoclassical Sculptors. Vassar College Art Gallery, 1972.

Weeks, Charlotte J. “Lady Art-Students in Munich,” Magazine of Art 4 (1881), 343–347.

________. “Women at Work: The Slade Girls,” Magazine of Art 6 (1883), 324–329.

Wein, Jo Ann. “The Parisian Training of American Women Artists,” Woman’s Art Journal 2, no. 1 (Spring–Summer 1981), 41–44.

Wood, Christopher. The Dictionary of Victorian Painters, 2nd ed., Antique Collectors’ Club, Woodbridge, Suffolk, 1978.

Wreford, Henry. “A Negro Sculptress,” Athenaeum, no. 2001 (March 3, 1866).

Yeldham, Charlotte. Women Artists in Nineteenth-Century France and England. Garland Publishing, New York & London, 1984.

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