And the Society of the Spectacle
During the nineteenth century, under the influence of Marx, Engels, Bakunin and others, the
traditional working class movements were established. They enjoyed a brief peak and were then
defeated. Situationism is a revolutionary philosophy of the latter half of this century which begins
where the original ideologies left off in an attempt to provide a suitable opposition to a new world
order established by the relentless advance of technology and information media.
The first situationist work was published in French in 1967. The Society of
the Spectacle by Guy Debord is to modern revolutionary theory what Das
Kapital was to the original movements. The titular 'Spectacle' is the term
Debord used to describe the social relation among people mediated by
images. Unlike Marx he saw a society with a principle product of images
not objects and every member of society devoting their lives to the
accumulation of images. What this means in simple terms is that our lives are saturated at every
turn with explicit depictions of how we ought to be. Every acceptable alleyway of human
experience is explored for us and sold back to us by way of TV, film, Advertising, Political
rhetoric, etc. So the development of the Human mind is prevented from development and every
emotion we claim to feel is in fact the emotion provided by the commodity of images.
To clarify the above take as an example the
process of rebellion. All dominating forces
throughout history have needed to suppress
rebellion, in the past this was achieved by tyranny
and the rule of law. The Spectacle's suppression
takes a different form. Instead of pushing rebellion
away from the centre of power the spectacle
embraces it, assimilates its core features into a
socially acceptable context and then sells it back
to the rebels. Thus, Environmentalism becomes
the preserve of Blue Peter, Radical Feminism
becomes Girl Power, Punk becomes the centrepiece of Rock memorabilia sales and Marxism is
sold on T-Shirts in Covent Garden Market. Marx proclaimed religion to be 'the opiate of the
masses', the narcotic of choice today is Marxism itself.
Once the idea of suppression by absorption had been fully explored It fell on the shoulders of
another, Raoul Vaneigem to set forth the principles of Situationist revolution. In the face of a
governing concept defined by its abstract nature he assumed that change could not be effected by
traditional means. The revolutions of the past had all possessed definite causes. (Communism was
committed to defeating the bourgeoisie, the October Revolution was a distinct attack on the Tsar)
the situationist revolution could not define itself as to do so would be to leave itself open to
assimilation. Instead, Vaneigem argued that 'Power must be totally destroyed means of
fragmentary acts' or in other words that the spectacle can only be defeated by the near mindless
destruction and sheer popular force of anarchic events such as the Watts riots of 1965 and The
Early Rave scene. These brief moments of lawless abandon, or 'Situations' are the moments
which provide the impetus for the final destruction of contemporary society. Only in this way,
according to the situationists, will people become real.
1960s
The Society of the Spectacle published in Paris
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Situationist ideas provide the force behind the Paris Student Revolt. The following graffiti appears on a Paris wall: "everybody wants to breathe and nobody can breathe and a lot of people say: we'll be able to breathe later but most people don't because they are already dead"
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1970s
Society of the Spectacle translated into English
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Punk happens
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Larry Law begins to publish cheap booklets for a London Audience expanding the core of believers in the International Situationist movement
1980s
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Widespread rioting in 1981
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Factory Records, the label behind the Happy Mondays buys a club in Manchester and decides to name it after a chapter in Debord's book, The 'Hacienda'
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Poll tax riots
1990s
The Manic Street Preacher's early singles all refer to situationist ideas, most notably, 'Motown Junk' and 'New Art Riot'
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LA riots
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Debord commits suicide in 1994
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