I have a whole range of up to date sound equipment which I bring on to any film project. The rate for the equipment hire is very reasonable, and I prefer to do all in deals with it so that producers are not faced with bills for "extras". The list includes:

• Coopersound 108+1 8 channel in/out mixer


• Portadat PDR1000TC timecode DAT location recorder


• Fostex PD2 timecode DAT location recorder


• Nagra 4S stereo timecode recorders (2)


• Nagra 4S stereo FM recorder


• Nagra 4.2L mono recorders (2)


• Sony TCD3 DAT recorder


• Filmtech LSP4 4 channel mixer


• Alice 2008P 8 channel mixer


• Shure FP31 mono mixer


• Sennheiser 816, 416, 415, 815, 805, and 405 condenser mics


• Audio Technica and Sony stereo mics


• AKG, Beyer, and Tram mics


• Audio and Micron radio microphones


• Loud playback systems, induction loop playback systems,


• Sennheiser stereo radio headphone system (for Directors and Script supervisors)


• High quality video monitors (for video assist)


• Many and varied other pieces of equipment too numerous to mention

• Ford Transit 190D LWB van, fully fitted out for location work.